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Binetsu Onsen

Binetsu Onsen

Yaoi

Funny romance series of two part-time workers of lunch shop who are both seme and create a love commotion at hot springs or resort. 1+2) Kouichirou Fuji, a part time worker of lunch shop is so surprised to hear his colleague's experience of sexual molestation. Then Kouichirou feels too nervous for Takashi. All staffs are going to a hot spring as company outing but shop owner suddenly disappears with his lover leaving Kouichirou and Takashi alone. But Takashi turns out to be seme just like Kouichirou... 3) Takashi's senior student, Miura works at travel agency and give tickets of "hot spring tour" to Takashi and Kouichirou. But Miura stays same hotel as his work and interferes the date of Takashi and Kouichirou... 4) Kouichirou and Takashi go to Atami. They are obsessed with the ghosts of tragic couple of literature, Kan-ichi and Omiya at "Omiya no Matsu" and quarrel about trifles... 5) Kouichirou asks Takashi to live together but Takashi does not accept it. Then a new and cute part-time joins. He presses himself against Takashi because he should resign the work and part with Kouichirou. Takashi happens to see it... 6) They go to Nikkou. There are theme parks of Ninja and Western. Kouichirou shows his good performance on the horse in front of TV crews. They are scouted for travel video. But Takashi nearly becomes the model of Adult pornographic video... 7) They stay the cottage but quarrel about shopping. Under a stadium of stars, they are naturally reconciled... Kouichirou and Takashi are both seme and colleagues with same generation, so they can't help quarreling about various things and it is very funny. Takashi looks feminine and beautiful but has a lot of experience of homosexual sex. Kouichirou is a very open, cheerful, simple forthright and simple-hearted guy. Their mental sex/masculinity is opposite and it is very unique. Comedy but a lot of moving scenes and exciting. The sex scenes are very hot though the author's art is very sincere and neat (Takashi's nude is very erotic) (from Slash-kun)

Manga Nihon Keizai Nyuumon

Manga Nihon Keizai Nyuumon

Historical Slice of Life

They are burning Japanese cars in Detroit. The top management at Toyosan Motors must decide whether to begin offshore production of its cars in the U.S. But our hero Mr. Kudo fears that offshore production will devastate the numerous local subcontractors of Toyosan, leading to a hollowing out of the auto industry in Japan, leaving only a financial shell. The American color TV industry has already suffered such a fate. The villain, Mr. Tsugawa, calls Kudo a wimp and sees a splendid opportunity for union busting. Will our hero prevail? Thus begins the first episode of this rollicking yet incisive introduction to the world economy from the Japanese point of view. Other episodes treat the appreciation of the yen, the impact of the 1970s oil shocks, deficit financing, the internationalization of business and banking, and the post-industrial future of Japan and the Pacific Rim. The book is an English edition of volume 1 of Manga Nihon Keizai Nyumon, originally published in 1986 by Nihon Keizai Shimbun, the Japanese equivalent of the Wall Street Journal. It is based on a serious introductory text put out by the newspaper and is packed with informative charts and facts. When the comic book was first published in Japan, it was an immediate best-seller, selling over 550,000 copies in less than a year. The stories in the book reflect Japan's national mood during the "Japanese miracle" and into the 1980s economic bubble: apprehension and optimism jostle one another, and there is a sense of national self-pity. The book also reflects a deep suspicion of politics and bureaucrats. The prime minister appears more worried about his government's popularity than about taking the right economic course. Ultimately, the employees at Toyosan Motors demonstrate that the success of the Japanese economy will not depend on natural resources or politics but on business practices that are ethical, socially responsible, and forward-looking (Source: University of California Press)

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